Davis gets the juror’s award
This image and this image on display at the Photo Place Gallery View this post on Instagram A post shared by PhotoPlace Gallery (@photoplacegallery)
This image and this image on display at the Photo Place Gallery View this post on Instagram A post shared by PhotoPlace Gallery (@photoplacegallery)
“August’s work invites us to travel to Oakland, on the west coast of the United States, inside a diner. Sometimes a place of meeting but most often of passage, the famous American diner has long fascinated artists. If it’s Edward Hopper’s paintings that come to mind first, the diner will become one of the recurring symbols of American visual culture. Taken in 1985 by American photographer Steve Davis, this photograph spontaneously reminds us of William Eggleston, Stephen Shore and Joel Meyerowitz. By the mid-1970s, all three had led to the recognition of color photography within museum institutions and art galleries. They will be the figureheads …
I Documented The Final Days Of A School Turned Rest Home For People With Disabilities (12 Pics)
10/29/21 through 1/8/22 Two-Year Supply features artwork by three artists with ties to the agricultural communities of southern Idaho: painter and sculptor Rebecca Campbell, and photographers Steve Davis and Alexis Pike. Each of the artists contributes work that examines the history of settlement by farming families in the region, the communities that those families have built, and the way that life in Idaho’s rural towns and cities is changing in the 21st century.
Large format vintage color images of businesses in the SF Bay Area, featured on Visura.co
Steve Davis featured in the Open Doors Gallery online exhibition and print sale.
Two prints in this exhibition…
An old interview, newly discovered…
We do judge books by their covers and people by what they wear. Photographer Steve Davis has created a poignant portrait project, As Regular People, photographing inmates in civilian clothing as they prepare for release–this simple shift in dress and self presentation changing how we perceive his subjects.
The Skill Builders Unit in the Washington Correction Center in Washington State holds a prison population of inmates deemed particularly vulnerable. Many face great intellectual and literacy challenges. The Skill Builders Project represents photography, both by Davis and of the Skill Builders enrolled in the prison’s first-ever photography class. This photography, coupled with interviews and storytelling, will give voice to the inmates and their difficult situations. Through regular workshops, the inmates will learn to express themselves visually and share their thoughts and stories with the public.
MIT Press, in collaboration with the New Museum has just published a book entitled Public Servants: Art and the Crisis of the Common Good. The book features an essay by Joshua Dubler commissioned explicitly for the volume about Prison Obscura. Joshua’s essay appears on pages 141-158. Images from some of my juvenile incarcerated students are included.
Selections from my juvenile offender students featured in Huck Magazine
I am pleased to discover that the University of Washington’s Henry Art Gallery has acquired Robert, Oakridge 2005 for their permanent collection!
It’s really not all that interesting…
Steve Davis – Artist talk
INSIDER VIEWS OF LIFE BEHIND BARS AS A TEENAGER
Read Pete Brook’s recent post on PrisonPhotography.Org
For my Chicago friends, I hope you can visit the The David Weinberg Gallery, featuring Tirtza Even, Steve Liss, Richard Ross and myself.
February 13th – May 9th, 2015 (opening reception Feb. 13, 6-8pm. I’ll be there!)
February 5 – April 17, 2015
Curator’s talk: Thursday, February 5, 5:45 p.m., followed by an opening reception 6:30–8:30 p.m.
Curated by Prison Photography editor Pete Brook, Prison Obscura explores an area of society that, in spite of its explosive growth, continues to exist in the shadows: the country’s prisons and jails. Presenting rarely seen vernacular, surveillance, evidentiary, and prisoner-made photographs, the exhibition sheds light on the prison industrial complex and those it confines.
Back to the Garden, recently featured in Austria’s Woman.
Creative Life features Back to the Garden.
‘Prison Obscura’ Exhibition at Scripps College, Claremont, California, Sept. 2nd – Oct. 17th. Curated by Pete Brook, this exhibit now travels out west, and “sheds light on their (prisoners) experiences and the prison-industrial complex as a whole by showcasing rarely seen surveillance, evidentiary, and prisoner-made photographs.”
The French Magazine, Snatch features an interview and selections from Captured Youth.
I’m pleased to have work from two series, Captured Youth and Rainier School, along with works from my incarcerated students included in this major exhibition. Unseen opens in Detroit, August 1st, 2014… Read the Michigan Live review. The following rarely seen images were created by incarcerated teens in the Green Hill School, Chehalis, Washington, 2000. from the press release UNSEEN: A GALLERY PROJECT DUAL-SITE EXHIBIT IN DETROIT AND ANN ARBOR DETROIT: August 1st – August 31st, 2014 Eastern Market 1550 Winder (across from Red Bull House of Art) Detroit, MI ANN ARBOR: September 12th – October 12th, 2014 Ann Arbor …
The online Spanish publication, Dodho presents some of my work from Washington’s Rainier School.
Steve Davis | LensCulture
I’m pleased to have examples of photography from my young incarcerated workshop participants in this promising group exhibition, curated by Pete Brook. http://exhibits.haverford.edu/prisonobscura/
Artist Trust 2014 Benefit Art Auction I’m pleased to be a contributor to the 2014 Artist Trust Benefit Auction, February 22nd. This image, from the abandoned Olympia Brewery, is from an edition of four.
December 6th – 22nd at the Kulturni Centar Beograda (KCB) in Belgrade, Serbia. This exhibition features AS220, Steve Liss, Joseph Rodriguez, Ara Oshagan, Richard Ross, myself and the works of many of my incarcerated students from prison workshops I conducted. Curated by my buddy Pete Brook of prisonphotography.org, it’s worth checking out, if you’re in the neighborhood.
Thanks to former business associate Carlos Sanchez for this…
My friend Carlos Sanchez made a little multimedia thing about me and my work. Enjoy!
Come join me November 15th for the opening celebration of EMP’s Martin Schoeller: Close Up, and I will make your portrait! Celebrate the opening of EMP’s Martin Schoeller: Close Up with images of the world’s most identifiable faces and a slew of portrait-themed activities. Martin Schoeller’s large-scale photographic headshots put some of the most recognizable faces from cinema, the sports field, the political podium, and the arena of rock alongside American teens and tribespeople from Tanzania and the Amazon. Attend Close Up: Opening Night to snap your own Schoeller inspired self-portrait; step into the studio and explore the world of portraiture with Photo Center NW and photographerSteve …
Saturday, October 12, 1:30 pm In conjunction with Sitting for History: Exploring Self-Identity through Portraiture, I’ll be speaking about my portrait work over the years. I hope you can join me. tickets
Selections from the Rainier School series are included in Invisible Solitudes, showing as part of this year’s Festival Fotographico Europeo. Invisible Solitudes was curated by Caterina Clerici in collaboration with SocialDocumentary.net (SDN), and includes works by Diego Ibarra Sanchez, Jenn Ackerman, Steve Davis, Enrico Fabian, Catherine Karnow, and Magadalena Sole.
Steve’s photograph is included in Atmospheric Weather: Two Exhibitions of Artwork from the Seattle Public Utilities’ Collection– August 15th through September 30th.
Steve is showing in the Tacoma Art Museum’s Sitting for History: Exploring Self-Identity Through Portraiture. July 27, 2013 to January 12, 2014
Back to the Garden featured in Esquire Russia and the Huffington Post (Italy)